A Day at Shea (Beatles Early Hits)
African Skies
Alright, OK, You Win
Caribbean Fire Dance
Creepin'
Desafinado
Dolphin Dance
Downtown Sounds
Driftin'
Fort Worth
Freddie Freeloader
Green Tea
How Do You Keep The Music Playing?
I'm Getting Sentimental Over You
Look To The Sky
One For Tom
One Hand, One Heart
Overjoyed
Room With A View
Summertime
Three to Get Ready
Wabash
What Is Hip?
What's Goin' On?
(Lennon/McCartney, arr. Kadleck)
Four favorites that reached #1 as you've never heard them before. Grooves include - jazz waltz ("A Hard Days Night"), reggae ("I Wanna Hold Your Hand"), second line ("She Loves You"), and straight-ahead swing ("Can't Buy Me Love"). Optional high note trumpet solo at the end. (Currently written for 3 trombones.)
Ranges: tpt.-F6, trb.-C5
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(M. Brecker, arr. Kadleck)
Commissioned by the Westchester Jazz Orchestra with soloist Randy Brecker, this polyrhythmic work features solos for trumpet and piano. In addition, there is some rhythmically fun interplay between the saxes and brass section.
Ranges: tpt.-F6, trb.-Bb4
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(Wyche/Watts, arr. Kadleck)
Written for the Pennsylvania Music Educators Association District 9 All-State band, the swing classic is a great choice for bands of all levels. Features solis for each of the sections.
Ranges: tpt.-A5, trb.-A4
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(J. Henderson, arr. Kadleck)
This classic Joe Henderson tune has plenty of solo space for tenor sax. Recorded by the Westchester Jazz Orchestra on their debut CD, "All In".
Ranges: tpt.-F6, trb.-A4
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(S. Wonder, arr. Kadleck)
In the style of Elvin Jones, this unique offering "gives the drummer some". Moderately advanced solo changes provide a fun challenge for tenor sax and trombone as well.
Ranges: tpt.-E6, trb.-C5
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(A. C. Jobim, arr. Kadleck)
Jobim classic. Features solos for trombone and piano, plus a tricky sax soli.
Ranges: tpt.-B5, trb.-D5
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(H. Hancock, arr. Kadleck)
Recorded by the Westchester Jazz Orchestra on "Maiden Voyage", the feel of this chart alternates between 12/8 and 4/4. Soloists include trumpet, tenor sax, and piano.
Ranges: tpt.Eb6-, trb.-Ab4
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(J. Rotundi, arr. Kadleck)
Commissioned by the composer, this catchy tune has a straight eighth note feel, and includes fun chords changes for trumpet, and tenor sax.
Ranges: tpt.-C6, trb.-Ab4
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(H. Hancock, arr. Kadleck)
This is traditional Blue Note at its best! One of Herbie's most swinging tunes, this arrangement has solo space for tenor sax and trumpet, and culminates with the soloists trading fours with the ensemble.
Ranges: tpt.-Eb6, trb.-Bb4
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(J. Lovano, arr. Kadleck)
Written to feature Joe Lovano, this chart is wall-to-wall tenor, with some tricky ensemble passages.
Ranges: tpt.-F6, trb.-C5
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(M. Davis, arr. Kadleck)
This "Kind of Blue" favorite turns into a roaring blues with plenty of room for improvisation. Includes a soli that uses the first chorus of the original Miles Davis solo.
Ranges: tpt.-G6, trb.-Bb4
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(J. Scofield, arr. Kadleck)
A Scofield boogaloo with solo changes for trombone and guitar, and an advanced sax soli.
Ranges: tpt.-F6, trb.-G4
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(Legrand/Bergman, arr. Kadleck)
This pretty ballad is a feature for a trumpeter with a very strong range and soaring sound (on both trumpet and flugelhorn).
Ranges: solo tpt.- F#6, tpt.-C5, trb.-A4
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(Bassman/Washington, arr. Kadleck)
Made famous by Tommy Dorsey, this arrangement bears little resemblance to the original. It has several odd meters, solos for tenor and trombone (in 7/4 time), and an open drum solo over a reharmonized chorale.
Ranges: tpt.-D6, trb.-C#5
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(A. C. Jobim, arr. Kadleck)
A beautiful yet often overlooked Jobim classic, this acoustic guitar driven offering has solos for piano and baritone sax.
Ranges: tpt.-Db6-, trb.-Bb4
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(P. D'Rivera, arr. Kadleck)
Written to feature the composer, this samba has fun chord changes for alto sax and trumpet.
Ranges: tpt.-D6, trb.-A4
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(L. Bernstein, arr. Kadleck)
A gorgeous love song from "West Side Story", this starts out slowly then builds into a contemporary tour de force. Woodwind doubling is required for the intro section. Solos for alto sax and trumpet.
Ranges: tpt.-Eb6, trb.-C5
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(S. Wonder, arr. Kadleck)
1980's classic reworked for big band. Features solos for piano and tenor sax. (Currently written for 3 trombones
Ranges: tpt.-C6, trb.-A4
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(Kadleck)
Written for trumpet soloist plus big band, this jazz waltz has fun chord changes and some nice obbligato trumpet lines over the band.
Ranges: solo tpt.- F6, tpt.-D6, trb.-A4
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(G. Gershwin, arr. Kadleck)
Funky treatment of this standard with plenty of open space for soloists. (Three trombone parts.)
Ranges: tpt.-D6, trb.-A4
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(D. Brubeck, arr. Kadleck)
One of Dave Brubeck's finest. A typical mixed meter journey featuring solo changes for alto sax and some fun melodic moments for the piano. (No guitar part.)
Ranges: tpt.-Eb6, trb.-Bb4
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(C. Adderley, arr. Kadleck)
Basie-style swinger with solos (and trading) for both alto sax players. A strong, swinging shout chorus closes it out.
Ranges: tpt.-E6, trb.-B4
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(Castillo/Kupka, arr. Kadleck)
One of "T.O.P.'s" biggest hits, this chart features solos for trumpet, keyboard & guitar. The arrangement closely follows the original format.
Ranges: tpt.-E6, trb.-B4
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(M. Gaye, arr. Kadleck)
Funky treatment of this Marvin Gaye anthem. Solo for alto sax. A nice relaxed feel from the rhythm section is a plus.
Ranges: tpt.-D6, trb.-C5
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